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“… Frankly, anyone who cares about
theater ought to go see it.” |
- Lloyd Rose, “Here & Now”
spotlight on The Idiot, The Washington Post
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“This is the kind of thing people used
to mean when they talked about ‘the magic of theater’.” |
- “‘Hypochondriac’: Fit as a
Fiddle,” by Lloyd Rose, The Washington Post
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“Moličre’s satire Le Malade Imaginaire
... calls for three interludes of dance and music, which it usually
doesn’t get. But the Stanislavsky actors specialize in just such a
synthesis of the arts, and so their production respects the author’s
intent and includes three brilliantly evocative, speechless movement
sections. This production, performed in English, is full of mime,
dance, song and music, making for an extraordinarily rich evening of theater." |
- “Mind Over ‘Malade’,” by
Sarah Kaufman, The Washington Post
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“... the essence of why you go to the
theater.” |
- “The Good Doctor: Silences
are Golden in Stanislavsky Play,” by Lloyd Rose, Theater Critic,
The Washington Post.
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“They are artists without equals and every
one of their productions is a thrilling experience.” |
- Terri Corcoran, The Review
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“The members of the STS are primarily
theater professionals from Russia, and this is ... a presentation held to
high and rigorous
aesthetic standards. For
Washington audiences, it’s a chance to see work from a different theater
tradition performed by people who have trained and worked in that tradition,
not just studied it in drama school.” |
- “At Stanislavsky, an ‘Idiot’
that’s Pure Brilliance,” by Lloyd Rose, Washington Post
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“We’re extremely lucky that this group,
when they immigrated to this country, didn’t go straight to New York.”
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- Jane Horwitz, “Around Town,”
WETA TV (PBS)
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“... The Little Tragedies is …
visually stunning… its
use of multiple disciplines will come as
an eye-opening surprise to American
theatergoers who know
Stanislavsky solely as the influence behind the acting style known as ‘The
Method’.” |
- Judy Rousuck, Theater Critic,
The Baltimore Sun, March 17, 1999
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“... children become entranced, even though
the story isn’t really aimed at them.” |
- “That’s Juan for the Ages:
The Stanislavsky’s Appeal to Both Adults and Kids.”
- Jane Horwitz, Theater Critic.
The Washington Post, December 22, 1998
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“The Stanislavsky Theater Studio’s
production of The Little Tragedies is
visually quite stunning... It overcomes
any language barrier that could exist.”
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- “Around Town”, WETA TV (PBS
Channel 26), December 17, 1998
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“... The Little Tragedies features
some of the most
dazzling stage images to be found in a Washington theater right now.
Strikingly stylized ... you’ve got a show that’s
constantly provoking and engaging the
imagination.”
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- William Tripplett, Theater
Critic, The Washington Post, December 10, 1998
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“In their performance of Kashtanka, based
on a Chekhov story, it’s hard to keep dream and reality apart.”
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- Alex van Oss, National Public
Radio, October, 1998
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“The Stanislavsky Theater Studio’s
Kashtanka is a tremendously delightful
and disciplined bit of children’s theater.” |
- Nelson Pressley, Theater
Critic, The Washington Times, June 25, 1998
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“...The audience clearly did not expect
such a bold theatrical interpretation of this classical piece. ...The
creative potential of the Company is, obviously, immense.”
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- TASS News Agency, on Kashtanka,
January 1998
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“…director Andrei Malaev-Babel’s production is impressively inventive…”
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- Nelson Pressley, Theater Critic,
The
Washington Post, on Dead Souls
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“…a master class in classical acting.” |
- Potomac Stages, on The
Seagull, January 2003
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“Andrei Malaev-Babel’s ambitious production is exquisitely staged and
choreographed, and flowingly performed. Its images linger…” |
- Washington City Paper on The
Brothers Karamazov, November 2003
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“The grace and commanding presence with
which Stanislavsky Theater Studio’s co-founder Andrei Malaev-Babel performs
six of his grandfather Isaac Babel’s incomparable short stories as a
swiftly-moving, two-act presentation of 19th and early 20th
century-style story telling results in a
21st century masterpiece of the
dramatic art.”
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- The InTowner on Babel: How It
Was Done In Odessa, February 2004
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11006 Veirs Mill Rd Ste L15 PMB 125 Wheaton MD
20902-5923
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Administration:
877-322-3531 Nonprofit ID:
52-2081966
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